The Poetic Edda: A Study Guide |
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Grímnismál
The Speech of the Masked One
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23 |
Codex Regius
MS No. 2365 4to
[R] |
Arnamagnæan Codex
AM 748 I 4to [A] |
1954
Guðni Jónsson
Normalized Text: |
23. Fimm-hvnðrvþ dyra
vm florom togom,
svá hygg ek at Valhöllo vera;
átta hundruð einherja
ganga ór einum dvrom,
þá er þeir fara at vitni at vega.
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23. Fim-hvnðret ðyra
xl
s kvet ek aval höll vera;
átta hundruð einherja
ganga senn ór einum dyrum,
þá er þeir fara við vitni at vega.
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23. Fimm hundruð dýra
ok um fjórum tögum,
svá hygg ek áValhöllu vera;
átta hundruð Einherja
ganga senn ór einum durum,
þá er þeir fara við vitni at vega.
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English Translations |
1797 Amos
Simon Cottle
in Icelandic Poetry
“The
Song of Grimnir” |
1851 C.P. in
The Yale Magazine, Vol. 16
“The
Song of Grimner”
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XXIII. Behold! Valhalla proudly shrouds,
Her towers in the ambient clouds:
Five hundred portals grace the side,
With forty more unfolding wide.
Thro' ev'ry gate in war array,
With banners streaming to the day,
Eight hundred warriors passage find,
When for martial deeds inclin'd.
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Five hundred and forty the gates Valhalla hath,
And twice four hundred Einheriar through each gate
Shall move in close array, on that last day
When they go forth to fight 'gainst Fenris the wolf.
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1866 Benjamin Thorpe
in
Edda Sæmundar Hinns Frôða
“The
Lay of Grimnir” |
1883 Gudbrand Vigfusson
in Corpus Poeticum Boreale
“The
Sayings of the Hooded One” |
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23. Five hundred doors,
and forty eke, I think,
are in Valhall.
Eight hundred Einherjar
will at once from each door go
when they issue with the wolf to fight.
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19. Five hundred and forty doors there are to Wal-hall I ween.
Eight hundred of the Chosen
shall go out of each door at one time, when they go forth to fight the
Beast.
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1908 Olive Bray
in Edda Saemundar
“The
Sayings of Grimnir” |
1923 Henry Bellows
in The Poetic Edda
“Grimnismol:
The Ballad of Grimnir” |
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Out of sequence:
21. Doors five hundred, and forty more
I ween may be found in Valholl ;
and eight hundred Chosen pass through each one
when they fare to fight with the Wolf.
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23. Five hundred doors and forty there are,
I ween, in Valhall’s walls;
Eight hundred fighters through one door fare
When to war with the wolf they go.
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1962 Lee M. Hollander
in The Poetic Edda
“The
Lay of Grimnir” |
1967 W.
H. Auden & P. B. Taylor
in
The Elder Edda
“The
Lay of Grimnir” |
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24. Five hundred doors and forty withal
I ween that in Valholl be:
eight hundred warriors through one door hie them
when they fare forth to fight the Wolf.
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24. Five hundred and forty doors Are built into
bright Valhalla: Eight hundred warriors through one door Shall go out
to fight with Fenris. |
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1969/1989 Patricia Terry
in Poems of the Elder Edda
“The Lay of Grimnir” |
1996 Carolyne Larrington
in The Poetic Edda
“Grimnir’s
Sayings” |
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Five hundred and forty doors
You will find in Valhalla;
Eight hundred warriers* will use just one
When we go to fight Fenrir
*[1989 revised: warriors]
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23. Five hundred doors and forty I think there are in Valhall;
eight hundreds of warriors will go together from one door when they go
to fight the wolf. |
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2011 Ursula Dronke
in The Poetic Edda, Vol. III
“The Lay of Grimnir” |
2011 Andy Orchard
The Elder Edda: A Book of Viking Lore
"The Lay of Grimnir" |
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23. Five hundred doors
and about forty more
are in the Hall of the Slain Men, so
I think.
Eight hundred elect fighters
file in unison from a single door,
when they go to wage war on the
Wolf.
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23. ‘Five hundred doors and forty
I think that Slain-hall has;
eight hundred Einherjar walk through each door,
when they go off to battle the wolf.
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[HOME][GRÍMNISMÁL]
1872 the Asgard Riders
by Peter Nicolai Arbo |
COMMENTARY |
1984 Rudolf Simek, The Dictionary of Northern Mythology:
"M. Olsen's provocative theory that the constantly fighting
warriors and the 540 gates to Valhall were a recalling of the
experiences gathered by a Scandiavian traveller to the Colosseum with
its constant combats of gladiators in Rome, aroused much attention. Even
if this recall was not the basis for the actual Nordic myth of Valhall,
it is nonetheless a possible source of the later poetic treatment of the
material. The number 800 times 540 = 432,000 einherjar mentioned in the
Grímnismál can possibly be traced back to Hellenic incluence, and is not
a number of any particular symbolic significance. It is by
no means certian if the number is at all correct and if the Grímnismál
did not use the Germanic value of hundred (=120)"
2011 Andy Orchard, The Elder Edda: A Book of Viking Lore:
"hundruð: Not clear whether this is the so-called 'long
hundred' i.e. 120; the building may have either 540 or 640 doors."
In R, verses 23 and 24 are reversed. Here, these verses are
arranged according to the A manuscript.
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Snorri also cites this verse in Gylfaginning 40:
Þá mælti Gangleri: "Þetta eru undarlig tíðendi, er nú
sagðir þú. Geysimikit hús mun Valhöll vera. Allþröngt mun þar
oft vera fyrir durum."
Þá svarar Hárr: "Hví spyrr þú eigi þess, hversu
margar dyrr eru á höllinni eða hversu stórar? Ef þú heyrir þat
sagt, þá muntu segja, at hitt er undarligt, ef eigi má ganga út
ok inn hverr, er vill. En þat er með sönnu at segja, at eigi er
þröngra at skipa hana en ganga í hana. Hér máttu heyra í
Grímnismálum:
Fimm hundrað dura
ok of fjórum tögum,
svá hygg ek á Valhöllu vera;
átta hundruð Einherja
ganga senn ór einum durum
þá er þeir fara með vitni at vega."
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Then said Gangleri: "These are marvellous tidings
which you now tellest. A wondrous great house Valhall must be;
it must often be exceeding crowded before the doors."
Then Hárr answered: "Why do you not ask how many
doors there are in the hall, or how great? If you hear that
told, then you will say that it is strange indeed if whosoever
will may not go out and in; but it may be said truly that it is
no more crowded to find place therein than to enter into it;
here thou mayest read in Grímnismál:
Five hundred doors | and forty more
So I deem stand in Valhall;
Eight hundred champions | go out at each door
When they fare to fight with the Wolf."
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In Grímnismál A23 (R24), we learn that Valhalla has 540
doors and that 800 warriors will issue from each door when it comes time
for Odin to face the wolf Fenrir, i.e at Ragnarök. In the their book
Hamlet’s Mill: An Essay on Myth and the Frame of Time, German
scholars Giorgio de Santillana and Hertha von Dechend discuss the
significance of these numbers in a chapter describing the precession of
the equinoxes, the astronomical phenomena in which the rising sun at the
time of the vernal (spring) equinox appears to shift backward through
the signs of the zodiac, changing signs every 2000 years or so. As I
write this, we are leaving the age of Pisces and entering into the Age
of Aquarius. The signs of the zodiac are the constellations which appear
to revolve around the horizon annually— for those not familiar with
astronomy and/or astrology, I recommend reading the following passages
in their original context. The passage below appears in Hamlet's Mill,
(1969) chapter 10. “Twilight
of the Gods”, p. 162:
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It is known that in the final battle of the
gods, the massed legions on the side of 'order' are the dead
warriors, the 'Einherier' who once fell in combat on earth and who
have been transferred by the Valkyries to reside with Odin in
Valhalla—a theme much rehearsed in heroic poetry. On the last day
they issue forth to battle in martial array. Says the Grimnismal
(23): "Five hundred gates and forty more are in the mighty building
of Walhalla—eight hundred 'Einherier' come out of each one gate—on
the time they go out on defense against the Wolf."
That makes 432,000 in all, a number of significance from of old.
This number must have had a very ancient meaning, for it is also the
number of syllables in the Rigveda. But it goes back to the basic
figure 10,800, the number of stanzas in the Rigveda (40 syllables to
a stanza) which, together with 108, occurs insistently in Indian
tradition. 10,800 is also the number which has been given by
Heraclitus for the duration of the Aion, according to Censorius (De
die natali 18), whereas Berossos made the Babylonian Great Year to
last 432,000 years. Again, 10,800 is the number of bricks of the
Indian fire-altar (Agnicayana). "To quibble away such a
coincidence," remarks Schroder, "or to ascribe it to chance, is in
my opinion to drive skepticism beyond its limits." [F. R. Schroder,
Altgermanische Kulturprobleme (1929), pp. 80ff.].
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The following book explains the phenomena in which the numbers
find significance: |
When They Severed Earth from Sky
(2004)
by Elizabeth Wayland Barber and Paul T. Barber
From Chapter 16: Of Sky and Time |
Just as the solstices and equinoxes mark time, so they also help
humans orient themselves in space. Imagine yourself back in the era with no
electricity, clocks, wheels, or cities: it also had no roads, no Triple-A
maps, no compasses. How do you find north (or true east)? The sun's shadow
can give you a rough idea, but the stars are far more accurate. The
Egyptians of 2500 B.C. located exact north by clever observation of star
alignments around the celestial pole, to orient their pyramids [Spence
2000]. Also, the sun rises and sets at the equinoxes at points due east and
west, and north/south runs perpendicular to the line between those points.
But how do you find any of that on some other day of the year, especially if
you are a traveller, someone with no permanent markers? The trick is to
learn when and where the stars rise and set, not just alone but as a system
[cf. Kyselka 1987]. Within it, the constellations in which the sun rises and
sets at the summer and winter solstices mark, at that time, the farthest
north and south that the sun ever moves (with east/west halfway between),
providing another set of four benchmarks from which time and direction could
be reckoned (figures 22b, 33). (Stones set up at Stonehenge and elsewhere
mark these key positions.) In a world before magnetic compasses, roads, and
signposts, such celestial sightings were critical for travel in general and
navigation in particular. But eventually we run into trouble.
Suppose you have inherited a myth telling you that the sun rises at the
summer solstice where you see the constellation Leo the Lion and the spring
equinox sun rises in Taurus the Bull. Yet as you watch the sun year after
year, you find it shifting ever so slowly out of these constellations into
the next ones, Cancer and Aries, and furthermore, the end of the rotational
axis no longer sits in quite the same section of the sky as before: North
has moved.
What a catastrophe. Not just for the calendar, but for navigation, since all
the coordinates marking direction must now be reestablished. Travellers
remember, don’t have fixed chin-rests but depend on celestial markers.
In fact, such a celestial shift actually happens: the “fixed” stars aren’t
quite fixed. This slippage results from the wobble in the earth’s rotation
(like the wobble of a top at the end of its spin) that causes the end of the
tipped pole to wander in a huge slow circle through the northern stars
(figure 35). When the Egyptians built the pyramids around 2500 B.C., the sky
rotated not around Polaris at the end of the Little Dipper but around
Thuban, a brightish star in nearby Draco the Dragon (see Spence 2000 for
pyramid features set on and hence datable by this difference). After that,
there was no "pole star" for millennia: the position of the pole could only
be reckoned from nearby configurations. The change in where the axis points
also causes the sunrise at the equinoxes and solstices to move, exceedingly
slowly, against the backdrop of the Zodiac. In fact, it takes nearly 26,000
years to complete the cycle, a rate of 2160 years per zodiacal sector (if
these are allotted an equal 30° apiece: 12 x 30° = 360°; 12 x 2160 =
25,920). As the pole wobbles, the positions of the equinoxes and solstices
slide slowly through the Zodiac in the opposite direction from everything
else. Thus the sun currently moves from a background of Gemini to Cancer
during July, but about 2000 years ago the June solstice slid the opposite
way, from Cancer into Gemini. (Since the astrological system used by our
newspapers was fossilized more than 2000 years ago, most people are
misinformed as to the constellation that "ruled the sun" when they were
born. Thus if your birthday is July 4, you were actually born when the sun
was in Gemini, not Cancer.) Because this slow wobble is, from our monthly
point of view, in the direction of the “preceding” constellation, the
phenomenon is now known as the precession of the equinoxes, but it might be
better called the shift of the celestial north, or Northshift. In mythology
it had other names.
Several other names, in fact, according to the analogies used to describe
and remember this difficult yet crucial navigational information. How for
example might one encode the relentless precession if one habitually
described the heavens as rotating around a pole— whether it was a mill,
drill, spindle, or churn? Surely some evil force—that is some Will working
against the assigned order of things— is knocking the rotating fire-drill or
mill-wheel axle off its socket. Worldwide, the owner of this vulnerable mill
turns out to be Saturn, he who first gave the measures of the universe, and
the mill-shaft’s unseating results in some mythologies in a vast, open
whirlpool or Maelstrom in both sky above and Ocean below (Readers interested
in these widespread myths can persue the data collected by Santillana and
Dechend in Hamlet’s Mill).
…Without myth to encode and transmit the critical data, preliterate
societies would be hard pressed to know that precession out of one
constellation into the next both had occurred and would occur again, on a
regular schedule. For if the precession moves 30 degrees in 2160 years, it
takes 72 years to move a single degree (about twice the diameter of the
moon), a rate so slow as to be barely perceptible within a single lifetime.
….. So the existence of precession was known and mythologized by some
cultures before the constellational shift ca. 4300 B.C.-a Stone Age date
that differs little from the latest date by which the Egyptian calendar must
have been set up, 4241 B.C.16 At that point, people in the Near East would
have been settled down with permanent chin-rests more
than long enough to notice that their alignments, set up to work out a solar
calendar after the invention of agriculture, were sliding relentlessly out
of whack. 17 To those for whom the stars were immutable, this realization
must have been shattering: the very frame of the sky moved, however slow the
wheels. The ancients vacillated as to whether the appropriate mythical
analogy for precession should be reciprocating motion as with the churn or
fire-drill, which turns one way then an equal amount back, or continuous
rotary motion as with mill-wheels and spindles. Indic myth opted for
reciprocation, mythologizing the churn (in the Ocean of Milk: figure 31) and
fire-drill (pramantha), whereas Plato, following the Pythagoreans (the Greek
inheritors of the "deep" astronomical tradition), chose rotation, citing the
"spindle turning on the lap of Necessity" [Republic 10.617b], as did
Germanic and Finnic myths with their periodically upset mill-wheels, and the
Harappans with Shiva's recurrent whirling dance of world-destruction (figure
16). The problem was that although people had been noting precession through
several stages of the Zodiac, so they knew the frame turned and knew roughly
how fast, they had observed considerably less than half a cycle (13,000
years), so they didn't know if it would keep going or turn back. Several
scholars suggest that some myth-tellers not only knew of the precession but
even had a close idea of its cycle [Campbell 1962, 117-20]. (It moves one
degree in 72 years, 30° or a twelfth of the Zodiac in 2160 years, and the
entire circle in 25,920 years-72 X 360°).
These suspicions arise because of the numbers associated with "Flood" myths.
For example, the five approaches to Angkor Thorn in Cambodia, constructed as
a cosmic map, each depict 54 gods and 54 demons540 in all-tugging on the
serpent-cord wrapped around the celestial mountain-pillar (represented by
the temple) that serves as dasher to churn the Milky Ocean: 540 x 4 = 2160.
(The temple is twelfth century, but the story goes back to the Mahabbarata
and Ramayana, epics composed 2500 years ago.) Similarly, the Grimnismal says
Valhalla has 540 doors, from each of which 800 warriors will emerge at
Ragnarok [S&D 162]: remember that the Trigon of Saturn and Jupiter, crucial
to timekeeping, revolves completely in 800 years; 540 X 800 = 2160 X 200 =
432,000. But 432,000 is the astronomical number of years which Berossos (the
Babylonian priest who tried to summarize his country's accumulated wisdom
for the conquering Greeks in 281 B.C.) ascribes to the combined reigns of
the ten mythical kings who preceded the Flood. A quarter of that number (540
X 200, or 2160 X 50) equals 10,800, the number of stanzas in the Rig Veda,
of bricks to be laid in an Indic fire-altar, of years said by Heraclitus to
constitute an Eon, and so on [S&D, 162]. These numbers keep recurring.
More myth-borne evidence of clocking the cycle comes from a cuneiform
"king-list" written about 1700 B.C. (Weld-Blum tablet 62) that totals the
ten antediluvian kings' reigns at 456,000 years [Jacobsen 1939; Campbell
1962, 119]. If Berossos's 432,000 reflects knowledge that it takes 72 years
to move one degree, then 456,000 would exactly reflect a belief that it
takes 75 years. This earlier and slightly less good approximation (amounting
to 27,000 years per round, rather than 25,920) must then have been refined
further before Berossos wrote nearly 1500 years later; but it is still far
better than Hipparchos's crude estimate of 36,000 years, suggesting a much
longer period of noting the shift than he had access to. Hipparchos worked
almost alone; the Babylonians passed down traditional knowledge in myth over
millennia.
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