|
|
|
|
In 1868, the wealthy merchant Heinrich Lingg, the brother of the
German poet Hermann Lingg [pictured], had returned from America
and bought a plot of land in a beautiful bay on Lake Constance
near Lindau and built a villa on it. When the building was
finished, he privately commissioned the German painter
Julius Naue to adorn the
principle chamber of Villa Lingg with eight monumental frescoes,
each seven feet in height, illustrative of Lingg's popular poem,
Die Völkerwanderung (The Migration of Peoples).
A trip to the old Italian city of Ravenna was planned for the
studies necessary for the paintings in the company of Hermann
and Heinrich Lingg. The city is particularly strange and
alluring for Germans. Here the Cheruscan Arminius son was
brought as a prisoner, kings of the Goths and Longobards ruled
here, and in Verona the heroic songs of the Migration Period
were heard at court. The stories of Alboin and Dietrich von Bern
reside there, because Bern was Verona. According to Hermann
Lingg's diary, they had a very comfortable stay, visiting old
Byzantine churches with their portraits of people, the districts
named after the Goth king, his tomb and the remains of his
palace. On the way home, they visited Florence, where they
admired the galleries, then returned to Germany without further
stay. Afterward, Naue remained in Lindau to apply the studies
made in Italy to his frescoes in Villa Ling.
That same year, painter Julius Naue exhibited eight cartoons at an art
expo in Munich which were to be painted al fresco in the villa
of the merchant Lingg in Lindau. The subject is composed of the
most outstanding heroes from the Great Migration. The walls to the hall entrance will be decorated with
figures representing Rome (Roma), Germania, and six great Germanic Hero-kings of the
Migration period [Die 6 grössten germanischen Heldenkönige der
Völkerwanderung], including Alaric at Rome, Odoacer surrendering
Ravenna to Theodoric, the Frank Chlodwig, the Lombard
Alboin, Geiserich the King of the Vandals,
and other chief personages and events of that era. These
figures with their characteristic emblems stand in round arches
around which festoons wind, and show good characterization,
Chlodwig and Albion are especially well executed.
Ferdinand Gregorovius, a vistor to the home in late September of
1868 remarked, "Visited the villa of Lingg, a merchant and
brother of the poet of Völkerwanderungen. He has some of the
barbarian kings of the poem painted in fresco in his room beside
the Germania and Roma of which he seems not a little proud."
Today Villa Lingg, at Schachener Straße 103, Lindau im Bodensee,
is described as the former summer residence of the physician
Heinrich Lingg, a late classicist cross-gable building after the
mid-19th century, with flat gable roofs projecting on the
lakeside, Belvedere structure with tower of stairs; interior
frescoes by Julius Naue around 1870; associated greenhouse and
octagonal bathing house on the harbor. So all or
some of the frescos are still there.
(Source: Über
Land und Meer: allgemeine illustrirte Zeitung 1868).
|
1872 Red pencil drawing of
Amalasuntha,
Daughter of the East-Gothic King, Theoderich the Great |
Katalog der Internationalen
Kunst-Ausstellung zu München,
1879
Eight Cartoons to the Frescos
for
the Villa Lingg by Lindau:
|
480. The Mourning Roma
481. The Triumphant Germania
|
The 6 Germanic Hero-Kings of
the Great Migration:
|
482. Alarich, King of the West
Goths
483. Geiserich, King of the
Vandals
484. Chlodwig, King of the Franks
485. Alboin, King of the Lombards
486. Odoaker, King of the Hercules
487. Theodorich, King of the East
Goths
|
|
Of the frescoes on a gold background in a hall of the "Villa
Seewarte" (aka Villa Lingg) of the Munich merchant Heinrich
Lingg near Lindau on Lake Constance. Dr. Konrad Ritter von
Zdekauer in his Kriegs- und Friedensfahrten, Band 1, (1881)
observes:
"Here, at the place where the
poet Hermann Lingg wrote his mighty epic, 'Der Völkerwanderung'
his brother, the art-loving merchant Heinrich Lingg, erected a
memorial to this most important of the recent national heroic
poems, otherwise only donated through princely patronage. Lingg
let Julius Naue, a pupil of Schwind, paint frescos of the most
prominent figures of the migration as their subject in the hall
of his country house. When you enter through the vestibule, you
can see the youthful Germania and the aged Roma which has been
overcome, on the walls on both sides of the window. On the
opposite side, these figures are aptly pronounced, the painter
has based their characterization wholly on the poetry presented
with great understanding."
The main hall contains a row of eight 7 foot high frescos
with two great doors as their connecting links , painted
gray on gray, with the scenes the "Storming of Rome by
Alarich" and the "Surrender of Ravenna from Odoaker to
Theodorich".
Architectural Drawing for Villa
Lingg (1868)
The Mourning Roma (Left) and the
Triumphant Germania (Right)
The four motifs: Roma, Germania, Odoacer, and
Theodoric, each titled and dated 4 June 1867.
|
|
|
1. The Mourning Rome
The Story
of the Great Migration
|
2. The Triumphant Germania
The Story
of the Great Migration
|
Opposite the entrance on the south
wall, ones gaze falls on two female figures, the
personifications of the then-opposing political, social
and cultural realities, the old grieving "Roma" and
"Germania", radiant with a youthful freshness and
volatility. The aged Roma, with a grief-stricken face,
leans with her right hand on a broken pillar shaft,
still holding on to the peeled laurel, while the left
lies over her mournful head, the crown of the world
ruler has fallen from her forehead and lies broken next
to the scepter at her feet. How youthful, on the other
hand, Germania shines across from her, a graceful,
charming figure, her golden head wrapped in oak leaves,
her eyes dazzling.
|
Clovis I (Chlodwig)
François-Louis Dejuinne (1786-1844) |
Albion, King of the Lombards
The Germanic Hero-Kings of the
Great Migration
|
The north wall is occupied by the Franconian Clovis
[Chlodwig, Chlodvig] and the Longobard Alboin, along with
the Germania, perhaps the best and most characteristic
figures of the entire cycle. The seriousness that the figure
Clovis exudes is enhanced by the dark, heavy color in which
it is painted. On his troubled forehead one can read his
many internal struggles. A luminous figure, on the
other hand, is that of the Lombard king, Alboin, who stands
in youthful beauty and strength, with a holly wreath wrapped
around his head, holding a lyre with his left hand, while
his right holds up the fateful cup. At first glance one
recognizes the multiple relationships which the artist has
expressed, since Rosamunde inadvertantly comes to mind.
|
Alarich, King of the Visigoths
The Story of the Great Migration |
Geiserich, King of the
Vandals
The
Germanic Hero-Kings of the Great Migration
|
Then on the west wall the Eastgoth Alarich and the Vandal
Geiserich follow, the first in stoic demeanor, the other in
violent motion. Alaric has a wolfskin thrown over his
shoulders as a mantel, leather hugs his body tightly, and
over it his armor. His head, which bears the royal crown,
tops a wonderfully powerful figure that leans on his
halberd, which appears to have grown out of the ground.
Quite different is Geiserich, whose raw Vandal-nature is
expressed in the broad structure of his body and his
impetuous, passionate mood. His right foot rests on a broken
column. In his right hand, he holds a mace raised
menacingly, with a wild excitement in his eyes, his whole
being breathes obstinacy. His is the barbarianism that
resorts to brute force. He wears a long garment with
oriental ornamentation, the cloak thrown over it flutters
behind him, his head is covered by the Phrygian cap, over it
is the crown of Jugurtha —the barbarian on the throne.
|
|
|
Odoacer at St. Severin
The Story of the Great
Migration
|
Theodorich,
King of the East Goths
The
Germanic Hero-Kings of the Great Migration |
The final figures of Odoacer, Prince of the Herules, and
Theodoric the Great adorn the east wall. Calmness,
prudence, and awareness of his goals and objectives
characterize the German prince, who delivered the fatal
blow to the long withered Roman power, and initiated
German world domination for hundreds of years. In
Theodorich, the legislature appears to be understood by
the scroll he holds with its motto: "Qui amat justitiam
amat me" ("Who loves me, loves justice"). The individual
images are on a gold background with decorations
corresponding to the time, executed within Roman arches
over which garlands of flowers and fruits are hung.
|
Albion, King of the Lombards
The
Germanic Hero-Kings of the Great Migration
Die Geschichte der Völkerwanderung
(1873)
The Story of the Great Migration
A Picture Cycle by Julius
Naue
Inspired by Hermann Lingg's Epic:
Der Völkerwanderung
|
In the years 1869–71, Julius Naue drew 15 large
charcoal cartoons on the
history of the the Great Migration
(reproduced in
collotype): |
Title Page
1. The Mourning Rome (see above)
2. The Triumphant Germania (see above)
3. Alaric is proclaimed King
of the Visigoths
in Greece, 398
4. Alaric
is buried in Busento and mourned by his people,
410
5.
Radegast, Duke of the Vandals, is captured, 407
6.
Radegast is imprisoned in Ravenna on the orders
of Emperor Honorius, 407
7. The
Battle of the Catalan Fields, 451
8.
Attila, the King of the Huns, is found choked in
blood on the morning of his wedding, 453
Holzschnitt Illustr. Zeitung, 1875.
9. The
Germanic princes celebrate the liberation from
Attila's yoke at Theudomir in Pannonia
and greet
little Theodoric as King, 455
10.
Odoacer at St. Severin, 476
11.
Theodoric the Great and the Ostrogoths Entry
into Italy, 488
12.
Theodoric by the body of Odoacer, who was
murdered in anger by him, 493
13.
Vitigis his sisters and aunties are brought
before the deathly ill Empress Theodora
as
prisoners by Belisarius in Delphi, 537
14. An
old sorceress shows Roman warriors the Gothic
king Totilas, who fell in battle, 552
15. Tejas
is proclaimed king of the Ostrogoths in Italy,
552 |
|
See Also
Julius Naue, Lost
Masterpieces
|
|
|